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Треклист
| Conversation Between Two Neighbours | ||
| White Noise, Mono, In Phase | ||
| White Noise, Mono, Out of Phase | ||
| Toccata In A, In Phase | ||
| Toccata In A, Out Of Phase | ||
| I Got Rhytm, Correct Phase | ||
| I Got Rhytm, Reversed Phase | ||
| The Planets: Mars, The Bringer Of War (Live) | ||
| Symphony In G, K. 183: I. Allegro Con Brio, Sound Unaltered | ||
| Symphony In G, K. 183: I. Allegro Con Brio, Mono, Only Left | ||
| Symphony in G, K. 183: I. Allegro con brio, Mono, Only Right | ||
| Und wüssten's die Blumen, die kleinen, from Poet's Love, Op. 48 | ||
| Egyptian March, Op. 335, Original | ||
| Egyptian March, Op. 335, Changes: 100 Hz +9 dB | ||
| Egyptian March, Op. 335, Changes: 100 Hz -9 dB | ||
| Egyptian March, Op. 335, Changes: 200 Hz +9 dB | ||
| Egyptian March, Op. 335, Changes: 200 Hz -9 dB | ||
| Egyptian March, Op. 335, Changes: 400 Hz +9 dB | ||
| Egyptian March, Op. 335, Changes: 400 Hz - 9 dB | ||
| Egyptian March, Op. 335, Changes: 900 Hz +9 dB | ||
| Egyptian March, Op. 335, Changes: 900 Hz -9 dB | ||
| Egyptian March, Op. 335, Changes: 2.4 kHz +9 dB | ||
| Egyptian March, Op. 335, Changes: 2.4 kHz -9 dB | ||
| Egyptian March, Op. 335, Changes: 3.6 kHz +9 dB | ||
| Egyptian March, Op. 335, Changes: 3.6 kHz -9 dB | ||
| Egyptian March, Op. 335, Changes: 6 kHz +9 dB | ||
| Egyptian March, Op. 335, Changes: 6 kHz -9 dB | ||
| Egyptian March, Op. 335, Changes: 8 kHz +9 dB | ||
| Egyptian March, Op. 335, Changes: 8 kHz -9 dB | ||
| Egyptian March, Op. 335, Changes: 10 kHz +9 dB | ||
| Egyptian March, Op. 335, Changes: 10 kHz -9 dB | ||
| Clash of Cymbals, Offset 0 frames | ||
| Clash of Cymbals, Offset 2 frames | ||
| Clash of Cymbals, Offset 5 frames | ||
| Beau Soir, from the five songs based on lyrics by Bourget | ||
| Allegro con brio, from Three Shanties for Wind Quintet, XY technique | ||
| Allegro con brio, from Three Shanties for Wind Quintet, AB technique | ||
| Allegro con brio, from Three Shanties for Wind Quintet, MS technique | ||
| Sonata for Two Guitars: III. Allegro, Digital (DDD) | ||
| Sonata for Two Guitars: III. Allegro, Analog (AAD) | ||
| Sonata in A, K310: III. Presto, Direct to CD | ||
| Sonata in A, K310: III. Presto, via LP to CD | ||
| Like Someone in Love, Saxophone played into open grand piano | ||
| String Quartet in B Flat, Op.130: Alla danza tedesca. Allegro assai, Left: Valve; Right: Transistor | ||
| Danza Triste, From 12 Danzas Espanolas, 20m Microphone Cable Two Connections Per Channel | ||
| Danza triste, from 12 Danzas Espanolas, 160m Microphone cable 11 connections per channel | ||
| Slow Half-Sine Wave on the left channel, Alternately positive and negative | ||
| Sawtooth Wave, Alternately left positive/right negative and left negative/right positive | ||
| Have You Met Miss Jones, Original | ||
| Have You Met Miss Jones, Absolute Phase | ||
| Protective Noise; It is about to get loud! | ||
| LOUD! Sine Wave 1 kHz, 0 dB, 24 bit > 16 bit Dither | ||
| LOUD! Sine Wave 1 kHz, 0 dB, 24 bit > 16 bit Truncation | ||
| LOUD! Sine Wave 1 kHz, 0 dB, 24 bit > 16 bit SBM | ||
| LOUD! Sine Wave 1 kHz, 0 dB, 16 bit | ||
| Sine Wave 1 kHz, -55 dB, 24 bit > 16 bit Dither | ||
| Sine Wave 1 kHz, -55 dB, 24 bit > 16 bit Truncation | ||
| Sine Wave 1 kHz, -55 dB, 24 bit > 16 bit SBM | ||
| Sine Wave 1 kHz, -55 dB, 16 bit | ||
| Sine Wave 1 kHz, -75 dB, 24 bit > 16 bit Dither | ||
| Sine Wave 1 Khz, -75 Db, 24 Bit > 16 Bit Truncation | ||
| Sine Wave 1 kHz, -75 dB, 24 bit > 16 bit SBM | ||
| Sine Wave 1 kHz, -75 dB, 16 bit | ||
| Sine Wave 30 Hz, -60 dB, 24 bit > 16 bit Dither | ||
| Sine Wave 30 Hz -60 dB, 24 bit > 16 bit Truncation | ||
| Sine Wave 30 Hz -60 dB, 24 bit > 16 bit SBM | ||
| Sine Wave 30 Hz -60 dB, 16 bit | ||
| Hiss from Console output, 24 bit > 16 bit Dither | ||
| Hiss from Console output, 24 bit > 16 bit Truncation | ||
| Hiss from Console output, 24 bit > 16 bit SBM | ||
| Hiss from Console output, 16 bit | ||
| Protective Noise; It is about to get loud again! | ||
| LOUD! Glockenspiel 0 dB, 24 bit > 16 bit Dither | ||
| LOUD! Glockenspiel 0 dB, 24 bit > 16 bit Truncation | ||
| LOUD! Glockenspiel 0 dB, 24 bit > 16 bit SBM | ||
| Glockenspiel -40 dB, 24 bit > 16 bit Dither | ||
| Glockenspiel -40 dB, 24 bit > 16 bit Truncation | ||
| Glockenspiel -40 dB, 24 bit > 16 bit Truncation | ||
| Glockenspiel -40 dB, 24 bit > 16 bit SBM | ||
| Glockenspiel -40 dB, 16 bit | ||
| Piano Trio in A minor, Op. 50: Variazione finale, -45 dB, 24 bit > 16 bit Dither | ||
| Piano Trio in A minor, Op. 50: Variazione finale, -45 dB, 24 bit > 16 bit Truncation | ||
| Piano Trio in A minor, Op. 50: Variazione finale, -45 dB, 24 bit > 16 bit SBM | ||
| Piano Trio in A minor, Op. 50: Variazione finale, -45 dB, 16 bit | ||
| Protective Noise; It is about to get loud again! | ||
| LOUD! Piano Trio in A minor, Op. 50: Variazione finale, Normal volume | ||
| My Funny Valentine |
Идентификаторы и матрицы
| Barcode | 4009850005100 |
Примечания
Alternative Tacet catalogue number: 0051-0 CD
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Данные релиза: Discogs. Раздел «Дискографии» — справочная база винила Видика.