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Teenage Licks / Ontinuous Performance

Stone The Crows · 2015

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Лейбл	Angel Air
Каталожный №	SJPCD468
Формат	2×CD, Альбом, Сборник
Дата выпуска	2015-10-02
Страна	Великобритания
Жанр	Рок
Стиль	Классик-рок, Блюз-рок
Штрихкод	5055011704688

Треклист

	Teenage Licks
	Big Jim Salter
	Faces
	Mr Wizard
	Don't Think Twice
	Keep On Rollin'
	Ailen Mochree
	One Five Eight
	I May Be Right I May Be Wrong
	Seven Lakes
	Bonus Tracks
	Let It Down (Live)
	Going Down (Live)
	Ontinuous Performance
	On The Highway
	One More Chance
	Penicillin Blues
	King Tut
	Good Time Girl
	Niagara
	Sunset Cowboy
	Bonus Tracks
	Good Time Girl (Live)
	Penicillin Blues (Live)

Участники

Artwork [Reissue], Graphics [Reissue]: Lawrence Andrew Robson

Bass: Steve Thompson

Drums, Percussion: Colin Allen

Executive Producer: Peter Grant

Guitar: Jimmy McCulloch

Guitar: Leslie Harvey

Keyboards: Ronnie Leahy

Liner Notes: Malcolm Dome

Producer: Mark London

Vocals: Maggie Bell

Written-By: Bob Dylan

Written-By: Colin Allen

Written-By: Don Nix

Written-By: James Dewar

Written-By: John McGinnis

Written-By: Leslie Harvey

Written-By: Maggie Bell

Written-By: Ronnie Leahy

Written-By: Sonny Terry & Brownie McGhee

Written-By: Steve Thompson

Компании

: Maggie Bell

: Colin Allen

: Angel Air Records

: Universal Island Records Ltd.

: Copyright Control

: Sony/ATV Music Publishing (UK) Ltd.

: What's In It For Me Music

: LR Graphics Ltd.

: Sony DADC, Southwater

Идентификаторы и матрицы

Barcode	5 055011 704688
Matrix / Runout	SJPCD468CD1 01
Matrix / Runout	SJPCD468CD2 01
Mastering SID Code	IFPI LY34
Mould SID Code	IFPI AEW40

Примечания

Two original classic albums with live bonus tracks from 1971 and 1972. Live bonus tracks taken from Angel Air release SJPCD272 STONE THE CROWS "Radio Sessions 1969-1972" 2CD set, Licensed for the World and Solar System to Angel Air Record (sic) by Maggie Bell and Colin Allen Writing credit for "Let It Down" is given to the band rather than its actual composer George Harrison. Writing credit for "Going Down" is given to (presumably Freddie) King rather than its actual composer Don Nix.