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Black Is The Color
Joe Henderson · 2013
| Лейбл | Milestone |
| Каталожный № | UCCO-90193 |
| Формат | CD, Альбом, Лимитированное издание, Переиздание, Ремастеринг |
| Дата выпуска | 2013-03-13 |
| Страна | Япония |
| Жанр | Джаз |
| Штрихкод | 4988005752185 |
Треклист
| Terra Firma | ||
| Vis-A-Vis | ||
| Foregone Conclusion | ||
| Black Is The Color (Of My True Love's Mind) | ||
| Current Events |
Участники
Alto Flute: Joe Henderson
Bass: Dave Holland
Congas: Airto Moreira
Congas: Ralph MacDonald
Design: Ron Warwell
Drums: Jack DeJohnette
Electric Bass: Ron Carter
Electric Piano: George Cables
Electric Piano: Jack DeJohnette
Engineer: Elvin Campbell
Flute: Joe Henderson
Guitar: Georg Wadenius
Illustration: Vinny Golia
Liner Notes [1972]: Joe Henderson
Liner Notes [2013]: Masamichi Okazaki
Mastered By [1972]: Ray Hagerty
Percussion: Airto Moreira
Percussion: Joe Henderson
Percussion: Ralph MacDonald
Photography By: Anita Pagan Henderson
Piano: George Cables
Producer: Orrin Keepnews
Soprano Saxophone: Joe Henderson
Synthesizer: David Horowitz
Tenor Saxophone: Joe Henderson
Компании
: Concord Music Group, Inc.
: Concord Music Group, Inc.
: Universal Music LLC
: Universal Music LLC
: Mercury Sound Studios
: Mercury Sound Studios
Идентификаторы и матрицы
| Barcode | 4 988005 752185 |
| Matrix / Runout | UCCO-90193 1W V |
| Mastering SID Code | IFPI L244 |
| Mould SID Code | IFPI 4011 |
| Rights Society | JASRAC |
Примечания
Recorded and mixed at Mecury Sound Studios (New York) March and April 1972
The original idea for this album was to approach it entirely from the standpoint of having no pre-conceived ideas (i.e., melodies, themes, bar lines, etc.) for the musicians to relate to.
However, after listening to a tape copy of one segment of the original session, I became aware of further possibilities. Making full use of 16-track tape, we could add to and improve upon what had already been recorded by multiple overdubbing of new parts, by myself and others, that would become permanent additions to the track. So I proceeded, after the fact (hence its title Foregone Conclusion), to create a continuous pattern that would effectively support what had already been laid down.
As for the other numbers here, with the exception of Vis-A-Vis (which somehow managed not to defect from the original non-framework idea), the same concept was used extensively throughout.
- Joe Henderson
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Данные релиза: Discogs. Раздел «Дискографии» — справочная база винила Видика.















































































































































































































































































































































































































