OK Computer

Released in a gatefold sleeve with printed inner sleeves, with scooped thin cutouts along the top edge of one side, each. Copies exported to the USA and other countries have a 'MADE IN ENGLAND' sticker on the back. Direct Metal Mastered: indicated by 'D' stamp in runouts. Back sleeve reads: Parlophone (P)1997 The copyright in this sound recording is owned by EMI Records Ltd. ©1997 EMI Records Ltd. Barcode: 7243 8 55229 1 8 (Top) and 7 24385 52291 8 (bottom) UK: NODATA 02 Printed in UK Place of manufacture as stated on label Manufactured and Distributed by EMI Text on inside sleeve reads: audio levels balanced nigel godrich. audio recordings made using the canned applause? mobile. music by thom yorke, jonny greenwood, phil selway, ed O’Brien, colin greenwood. pictures done by stanley donwood and the white chocolate farm. patiently managed by courtyard, chris hufford, bryce edge & brian message. office run by julie calland. video realisation with dilly gent. Artistic freedom in the market place maintained by keith wozencroft and tony wadsworth with perry watts-russell. media handling by caffy st luce. international ambassador carol baxter. performing monkey bookings taken by charlie myatt at itb. committed to tape by nigel godrich with radiohead. guitars by rickenbacker and plank, drums by premier, cymbals by zildjan, all other instruments at retail price. mastered by chris’king fader’blair at abbey road. tour manager tim greaves. lighting, stage design, smoke and production by andi watson. performance sound enhancement for the audience balanced by jim warren. instrument modifications, stage managing and equipment shifting into difficult places by plank. sound reference and deck chairs by duncan swift. additional guitar stuff by adam cummings. cash dealings and other assistance by big al. audio fixing and dubbing done at mayfair, abbey road, air lyndhurst, courtyard and the church using the wonders of a digital and and analogue age. strings arranged by radiohead, conducted by nick ingman. grub by grub of cat and mouse. additional complicated artwork skills supplied by matt bale @ hubdesign and mr. barry @ the whole hog. web site maintained(?) by stanley donwood. studio assistants gerard navarro, jon bailey and chris scard. all songs are published by warner chappell ltd. lyrics used by kind permission even though we wrote them. we have received much appreciated help and support from these people: melanie, chris york, jonathan glazer, bev, jane, mango, jane beese, roger trinder, paul longman, john bennett, lawrence canty, josh, michael, bill, peter, mike, drugstore, john statham, john whittaker and suzi wilson at o.j.kilkennys, hilton sound. those at parlophone including mandy plumb, kevin mccabe, steve hayes, malcolm hill, roger smith. those at capitol including phil costello, clark staub, gary gersh, daralyn adams, brian macdonald, rob gordon. sample from flight of the condor used with permission. all rights reserved. please write to us at w.a.s.t.e. correspondence p.o.box 322, oxford, ox4 1ey uk. ansaphone +44 01235 848261. http://www.radiohead.co.uk or http://www.radiohead.com this is our web site which we maintain as and when we feel like it. we hope you are ok. thank you for listening. Tracks are listed sequentially. Runouts are stamped from "NODATA" up to the singular "D", the subsequent text portions are etched. Variant 1: "1̶2" is a X'ed out "1" followed by a "2" Variant 2: "1/2" is a "1" superimposed with a "2" There are pressings of this same release where plates of both variants have been used. Release dates - Japan: May 21, 1997 UK: June 16, 1997 US: July 1, 1997