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World War II Songs In Hi-Fi
| Лейбл | ABC-Paramount |
| Каталожный № | ABCS-222 |
| Формат | Винил, LP, Стерео |
| Дата выпуска | 1958 |
| Страна | США |
| Жанр | Поп |
| Стиль | Вокал |
Треклист
| This Is The Army, Mr. Jones | ||
| They're Either Too Young Or Too Old | ||
| Lili Marlene | ||
| Medley | ||
| Medley | ||
| Medley | ||
| There'll Be Bluebirds Over The White Cliffs Of Dover | ||
| Don't Sit Under The Apple Tree | ||
| I Left My Heart At The Stage Door Canteen | ||
| Bell Bottom Trousers | ||
| God Bless America | ||
| Test Tone |
Участники
Arranged By, Conductor: James N. Peterson
Cover, Design: Bob Crozier
Cover, Photography By: Alan Fontaine
Directed By [Vocal Direction]: Frank Raye
Engineer: Irv Greenbaum
Liner Notes: David Drew Zingg
Performer: The Four Sergeants
Performer [With]: Rose Marie Jun
Producer: Creed Taylor
Компании
: Olmsted Sound Studios
: Am-Par Record Corp.
: Irving Berlin Music Corp.
: M. Witmark & Sons
: Shapiro Bernstein
: Porgie Music
: Famous Music Corporation
: Robbins Music
: Santly-Joy
: Am-Par Record Corp.
Идентификаторы и матрицы
| Matrix / Runout | ABC #S222AR 1I OSS Stereo #0413584 |
| Matrix / Runout | ABC #S222BR 1I OSS Stereo #0413585 |
| Rights Society | BMI |
| Rights Society | ASCAP |
Примечания
Black label, "ABC-Paramount" in white and their logo on top, "A product of Am-Par Record Corp." in white at bottom
A1, B4, B6 published by Irving Berlin Music Corp.
A2 published by A. Witmark & Sons
A4b, B2 published by Shapiro-Bernstein
A5a published by Porgie Music
A5b, B1a published by Famous Music
B1b, B3 published by Robbins Music
B5 published by Santly Joy
Lili Marlene (P.D.)
The Marine Hymn (P.D.)
The final band on side two of this recording contains a test tone. This has been included as a convenience for balancing your speakers. When the tone appears to be coming from the center area, rather than from either speaker, then your set is in proper balance.
Printed in U.S.A.
This recording was made on an Ampex Magnetic Tape Recorder Model 300 using RCA, Telefunken and AKG microphones, balanced through a specially designed 16 input Stereophonic console with a signal to noise ration of over 80 decibels. The tapes were mastered at Olmsted Sound Studios in New York on a Scully Recording Lathe with a Westrex 3A Stereo Disk Feedback Cutter Head driven by 2 specially designed Whittier Stereo Cutting Amplifiers with a 250 watt peak capacity in either channel. RIAA equalization curve: Crossover, 500 cps; Rolloff, 13.75 db at 10 KC; Low Freq. Capabilities, 20 cps; High Freq. Capabilities, over 20 kc. RIAA Playback equalization should be used for this record in order that the ultimate performance capabilities may be realized. This is a true Stereophonic record. It is not recommended for playback with standard monaural phonographs, unless equipped with a compatible cartridge
Другие версии
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Данные релиза: Discogs. Раздел «Дискографии» — справочная база винила Видика.















































































































































































































































































































































































































