Lady In Satin

US mono repress, circa 1962–1963, on Columbia red two-eye “Guaranteed High Fidelity” labels. This release is mono, not stereo. The jacket and labels show Columbia CL 1157, and the runouts use Columbia’s XLP mono matrix series. Stereo copies use the CS 8048 catalogue number and stereo matrix series. The runouts remain in Columbia’s -1 mono cut series. This copy is not the earliest known -1A / -1A style pairing, but it is still part of the original mono mastering lineage rather than a later stereo issue or modern recut. Columbia used multiple lacquers and non-sequential side pairings across plants and production runs, so suffixes such as -1G / -1K should not be read as a simple linear recut sequence.