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Encores • Volume 2

Heifetz · 2012

Лейбл	Naxos
Каталожный №	8.112073
Формат	CD
Дата выпуска	2012-11-00
Страна	Германия
Жанр	Классика
Стиль	Барокко, Классика, Романтизм, Модерн
Штрихкод	636943207376

Треклист

	Divertimento No. 17 In D Major, K. 334: III. Menuetto
	Preludes, Book 1: No. 8. La Fille Aux Cheveux de Lin (The Girl With The Flaxen Hair)
	4 Pieces From Much Ado About Nothing, Op. 11: II. Holzapfel Und Schlehwein
	Spanish Dances, Op. 22: No. 1. Romanza andaluza
	Piano Sonata No. 17 In D Major, Op. 53, D. 850, "Gasteiner Sonate": IV. Rondo: Allegro Moderato
	Lieder Ohne Worte (Songs Without Words), Book 1, Op. 19b: No. 1 In E Major, Op. 19b, No. 1, MWV U86
	7 Canciones Populares Españolas: No. 4. Jota
	4 Pieces From Much Ado About Nothing, Op. 11: Iii. Gartenscene
	5 Pieces: No. 3. Mouvement Perpetuel
	Cantilena Asturiana
	Saudades Do Brasil, Op. 67b: Viii. Corcovado
	Mediterranean
	2 Danzas: No. 2. La Gitana
	Ariettes Oubliees: No. 2. Il Pleure Dans Mon Coeur
	Tango
	English Suite No. 6 In D Minor, BWV 811: V. Gavotte I-II
	12 German Dances, WoO 8: No. 6 In G Major
	Piano Trio No. 1 In D Minor, Op. 49, Mwv Q29: Iii. Scherzo: Leggiero E Vivace
	Nocturne No. 19 In E Minor, Op. 72, No. 1
	Violin Concerto In A Minor, Op. 54: Tempo Di Valse
	33 Shakespeare Songs, Op. 24: Vol. 6, No. 2. Arise, "Sea Murmurs"
	Tale Of Tsar Saltan, Op. 57: Flight Of The Bumble-bee

Участники

Piano: Emmanuel Bay

Reissue Producer, Restoration, Engineer: Mark Obert-Thorn

Violin: Jascha Heifetz

Компании

: Naxos Rights International Ltd.

: Sony DADC

: RCA Studios, Hollywood

Идентификаторы и матрицы

Barcode	6 36943 20737 6
Label Code	LC 05537
Matrix / Runout	A0102011657-0101 18
Mastering SID Code	IFPI L558
Mould SID Code	IFPI 94K8
SPARS Code	ADD
Rights Society	GEMA

Примечания

Over four days of sessions in Hollywood during 1946 and 1947, Jascha Heifetz and his regular accompanist Emanuel Bay recorded this evocative series of encores. The repertoire was wide-ranging, and included three Spanish pieces by Sarasate, Nin and Ernesto Halffter, all delectably played, in his only recordings of them. He turned also to his own transcription of Bax’s Mediterranean as well as to staples such as Rimsky-Korsakov’s dazzling Flight of The Bumble-Bee. Throughout, Heifetz’s bowing, pizzicati, double stops, glissandi and inimitable portamenti grace these pieces with incredible freshness.