Demos & Live 1975 - Artist's Edition

The Record was published 2019. This a special Artist's Edition published at the Vienna Vinyl & Music Festival 2022 (March, 5th and 6th) in the historic brewery rooms of the Ottakring Brewery ( https://www.vinyl-music.at ). With an Original Painting by Edeltraud Steurer, every copy is numbered and signed by the Artist, limited to 19 Copies. Special paper folding by Andreas Steurer. Special edition in an art folding cover (70 cm x 100 cm), each copy individually designed (monotype and painting) by the artist and label owner Edeltraud Steurer, signed, numbered and limited to 19 copies, with the original LP with red vinyl in the original Gatefold sleeve incl. autograph card plus a white label pressing with black vinyl plus a Lazarus flimp family tree plus a sheet with the desription of the creation process. Description of the Gatefold Cover. Please note that this record contains historic demo and live recordings from 1975 and does not meet modern audio standards. In memoriam Hermann Dworak & Erwin Wagner. Mastering by Johannes Scheibenreif (2018) Photos by Johannes Authried (5) And Erwin Wagner (1) Cover Painting By Edeltraud Steurer. Cover Design By Andreas Steurer, Lukas Zarazik (Narosy Werbeagentur) Many thanks to Hans Pokora, Andreas Steurer, Peter Glatzl, Johannes Scheibenreif, Helmut Sacher & Lazarus. Exclusively produced for Vinyl & Music Festival Ottakring, March 2019. Lazarus, a short story by Peter Glatzl Lazarus (1971 – 1976) history is full of several changes in musical styles and lineups which contributed to the remarkable development of the band. Their repertoire ranged from pure guitar-music and covers to complex self-composed songs. The first highlight was the 1973 LP-recording of our psychedelic-rock-opera „Lazarus“ (reissued in 2013), the result of the creative collaboration between Helmut Sacher and myself, the band and a bunch of friends. 1974 was marked by numerous musical experiments and band-settings (2 drummers, saxophone etc.), which didn’t really end up in successful results. In 1975 we asked my younger brother, Ernst Glatzl (then 17 years old), to join the band as its singer and bass-player. His outstanding bass-playing perfectly matched with the rest of the band (Helmut Grössing/drums, Ferry Pint/keyboards and myself/guitars). We used this chemistry and began setting up a repertoire of self-composed songs to reach out for a special kind of style. The live-recording and the demos in the present case were discovered on tapes which were thought to be lost. They‘d been waiting for discovery in a basement for more than 40 years – the very last resurrection of Lazarus?