The First See + Hear

SEE/HEAR is a RECORD MAGAZINE, a quarterly publication of recordings of contemporary sound arts. Contemporary sound arts are usually discussed in terms of certain categories such as electronic music, experimental acoustic music, sound poetry, projective verse, chance music, improvised forms and so on, however what should propably be recognized is that sound arts are continually evolving and to create categories only restricts the way in which we think about sound. Mixed media, combinations of sound and cisual arts, or combinations of different modes of sound art, are easily seen as results of our electric environment, and are as valid as the already accepted sound forms. Comes with insert about the recordings, as well as inserts with graphics and text from the contributing artists (7 inserts altogether). From the insert: A1 for Lennon and Mccartney. A4 was commissioned for the Adelaide 1968 Arts Festival by the Melbourne ISCM, fragments of poetry were chosen at random from the unpublished works of the late Ann Pickburn. A5 is a 30-minute dramatic cantata written for a Masters composition recital and performed at the University of British Columbia in the spring 1968. B4 made September 1968.