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Voiceworks

David Cunningham · 1992
→ Все издания этого альбома
ЛейблEva
Каталожный №wwcx 2041
ФорматCD, Альбом
Дата выпуска1992
СтранаЯпония
ЖанрЭлектроника
СтильЭкспериментальная
Штрихкод4988071003853

Треклист

Masks And Voices
Siren Sign
Engine Shadow
Magic Words
At One Remove
Engine Definite
Not Speech
Masks And Voices
Canta
Mass
Canta
Collective
Four Songs
Resolution
Black Air Tower
Belgrano
True Air
Two Solos
Idiolect
Invisible

Видео

Участники

Composed By, Engineer, Performer, Producer [Produced By], Liner Notes: David Cunningham
Cover [Image]: Stephen Partridge
Design, Layout: Alan Forster
Design, Layout: Mark Lucas
Engineer: Alain Cluzeau
Engineer [With]: Reine Bensaid
Engineer [With]: Stéphane Hervé
Liner Notes: Ian Spink
Post Production: Noel Summerville
Post Production: Richard Dowling

Компании

: David Cunningham
: David Cunningham
: The Cold Room, London
: Studio Acousti
: The Cold Room, London

Идентификаторы и матрицы

Barcode 4 988071 003853
Barcode 4988071003853
Matrix / Runout WWOX-2041 OP26A
Rights Society JASRAC
Other R-270049

Примечания

Standard jewel case with 8-page color and translucent paper inserts. Track durations are not printed on the release. Composed and produced by David Cunningham. Performed by David Cunningham with the help of many other voices: Susan Belling gave voice to 'Resolution' and 'True Air' on the 7th April 1992. 'Invisible' was created from the voice of a bass guitar played by John Greaves. Other voices contributed by archiv collective. "This music is not only concerned with voices. the voice is the element which unifies the differing treatments. through this point of reference the processes are exposed and allowed an identity beyond the rôle of pure manipulation. the technical procedures are not in themselves important. they are devices, a vocabulary of musical electronics (as opposed to electronic music) to structure the voicings of other musics. the important element in the construction of much of this music is the exploration of 'soft' systems, responsive systems as opposed to pure process. although this would appear to be a rather clinical procedure, because of inherent defects in the machines, difficulty in precise control of the system and the resultant 'mistakes' the system is more likely to respond in an unpredictable way, creating something which has very much in common with the product of a non-technical culture. the studio and associated machines draw on the grain, the physical properties, of the source material. this overall approach deals with music as texture and as a time-based activity as well as rhythm, melody and harmony. for the most part it can only exist as recorded sound." - David Cunningham, May 1992 "An extended version of Canta was commissioned by Ian Spink with funding from the Arts Council of Great Britain. it was first performed as a dance work at York Arts Centre on the 15th October 1980. 'The piece is performed by six dancers. The movement material was developed mostly through a series of dense verbal instructions issued to the dancers by the choreographer who refrained from physically demonstrating any of the steps." - Ian Spink, May 1992. Phonetic analysis of Voiceworks: voiced labiodental fricative cardinal vowel no.6: lower-mid back rounded semi-high front unrounded vowel between cardinal 1 and cardinal 2 voiceless alveolar central fricative voiced rounded labiovelar approximant central unrounded vowel equal in height to cardinal 3 voiced apico-alveolar trill voiceless velar stop voiceless alveolar central fricative. thanks to: Masanori Akashi for his help and encouragement Thomas Fehlmann for advice Ian Spink for his use of the work in his dance work 'canta' Ken McMullen and Stuart Brisley for commissioning some of this music for their film 'Being and Doing' Mark Lucas and Jane Thorburn for their commissions of other pieces of this music for the television series 'Alter Image'
Данные релиза: Discogs. Раздел «Дискографии» — справочная база винила Видика.
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