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Peculiar Songs

Andrea Tippel · 2020
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ЛейблEdition Telemark
Каталожный №903.09
ФорматВинил, 7", 45 об/мин
Дата выпуска2020
СтранаГермания
ЖанрПоп, Классика
СтильFree Improvisation

Треклист

hotduiknow
Herr Kurzweil + Herr Frommherz
when i die please do what you want (Testament)

Примечания

Recorded to cassette tape by Andrea Tippel, presumably in the mid-to-late 1990s. Original title: "seltsame Lieder/improvisiert". Including postcard. 5 copies additionally contain an original drawing by Tippel. This 7" single collects three improvised songs, originally titled "seltsame Lieder/improvisiert", recorded to cassette tape presumably in the mid-to-late 1990s. All three tracks are playful and funny, but at the same time they unfold three philosophical topics, typical of Tippel's dry humour: The first song, "hotduiknow", is a sprechgesang loop of the epistemological question "How do I know?", without a final universal answer: How do we know that we know what we know? Like Tippel, all great philosophers like Platon, Kant or Descartes asked this question of relationship of perception and knowledge, without arriving at a definitive answer. "Herr Kurzweil + Herr Frommherz" is based on a children's song well-known throughout Germany: "Der Kuckuck und der Esel" ("The Cuckoo and the Donkey"). Its lyrics, describing a quarrel between a cuckoo and a donkey about who of the both was the better singer, are by Hoffmann von Fallersleben, who also wrote the text of the German national anthem. Tippel transformed the two 19th-century animals into two 20th-century futurists, asking who has the better vision of the future: Ray Kurzweil, scientist, book author and now a director of engineering at Google, or Fridolin Frommherz, a fictional German scientist from the novel "Vom Mars zur Erde" (1914) by utopian Albert Daiber. Frommherz, living in the year 2222, decides to stay on Mars as the only member of an expedition group, deeply impressed by a higher civilisation found on the red planet. The last song, "when i die please do what you want (Testament)", brings up another philosophical question: Who decides over my body when my mind is absent – and is it still my body? But the song turns the Descartes body/mind question into a kitsch chanson, a stereotypical imitation of a 'foreign', sexually attractive woman, unfortunately with a dead body.
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Данные релиза: Discogs. Раздел «Дискографии» — справочная база винила Видика.
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