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France Joli

France Joli · 1979

Лейбл	TGO
Каталожный №	12 TG 7000
Формат	2×Винил, 12", 33⅓ об/мин, Промо
Дата выпуска	1979
Страна	Канада
Жанр	Фанк / соул
Стиль	Диско

Треклист

	Come To Me
	Let Go
	Baby Don't Stop Dancing
	Playboy

Участники

Arranged By [Strings And Horns]: Denis Lepage

Arranged By, Producer, Written-By, Mixed By [Assistant]: Tony Green

Backing Vocals: Barbara Ingram

Backing Vocals: Carla Benson

Backing Vocals: Evette Benton

Bass: Peter Dowse

Congas, Percussion: Miguel Fuentes

Design: Ancona Design Atelier

Drums: Derek Kendrick

Drums [Syndrums]: Derek Kendrick

Engineer: Claude Allard

Engineer: Gene Leone

Guitar: Tony Green

Horns: Denis Lepage

Horns: Richard Baudet

Horns: The Disco Brass Ensemble

Keyboards: Robby Goldfarb

Make-Up: Rick Gillette

Mastered By: Dominick Romeo

Mixed By: Gene Leone

Mixed By [Assisted]: Tony Green

Photography By: Trudy Schlachter

Photography By [Assistant]: Bill Villaneuva

Strings: Eugene Nemish

Strings: Jean-Luc Morin

Strings: Louis Gaudriot

Strings: Marc Bélanger

Компании

: Capitol Records-EMI Of Canada Limited

: Tony Green Organization Records Ltd.

: Prelude Records

: Capitol Records-EMI Of Canada Limited

: Frankford/Wayne Mastering Labs

: Alpha International Studios

Идентификаторы и матрицы

Matrix / Runout	[Capitol "target" logo] 12TG-7000C̶-A FW [scribbled letters or peach?]
Matrix / Runout	[Capitol "target" logo] 12 T G 7000 D̶-B FW [scribbled letters or peach?]
Matrix / Runout	FW [scribbled letters or peach?] [Capitol "target" logo] 12TG 7000A̶-C
Matrix / Runout	[Capitol "target" logo] 12 T ·7000 B̶-D FW [scribbled letters or peach?]

Примечания

℗1979 Tony Green Organization Records Ltd.. ©1979 Prelude Records. MAPL logo (indicates 100% Canadian content) Manufactured and distributed in Canada under licence by Capitol Reocrds-EMI of Canada Limited. 3109 American Drive, Mississauga, Ontario L4V 1B2 Cat #s on labels show 12 TG 7000 on all four sides. Sleeve appears to be standard commercial release: cat # reads TGO 7000, tracklisting indicates one LP with two tracks per side. Sleeve also has mastering credit for Stan Kalina at CBS Mastering Lab, but it doesn't seem to apply to this release. Run-out etchings indicate all sides cut at Frankford/Wayne.