So, Here It Is

This is the text inside the mini-booklet: Firstly; my apologies go to Gavin and Caroline for the improper use of English scattered throughout this album. Secondly, it's only right to credit artist from whom I used samples: Credits go to Dr. Lonnie Smith, for I sampled material of his, for the first, the third and the last (bonus) track. (The first and the last basically have the same instrumental btw haha) A piece of Lonnie Smith's “Babbitt's Other Song” is the key sample to the first and the last track. For the third track I sampled “Lonnie Smith - It's Changed” and some drum sounds from “Lonnie Smith - Babbitt's Other Song” “Shiit” contains a sample from Gil Scott-Heron's “Inner City Blues”. I sampled “Future Islands - A Dream Of You And Me” for “The Muzik”. For “My Brother/Outro” I have to mention Outkast, for I directly used a piece of their song “Synthesizer”, and Big TC's performance on YG's “Thank God” (for the first line of my melody at the start of the song). Max B, I used an acapella freestyle of yours in the 6th song. I love your music. My brother and I are repping the wave heavily over here in the Netherlands. Big credit to YG for the last (bonus) track. I got really inspired by a trailer for a 4Hunnid collection which featured a snippet of a track of his called "I Gotta Question". So, I made my own version. In the 6th track I sampled and dubbed a line from 50's song "Corner Bodega". And oh yeah, I almost forgot. I also used Erykah's voice, from her Live cd, on the second track, right at the start. I just love Erykah. That's that. To all the people above; I am not trying to steal your art. I am inspired by your art and I am thankful for that. I know I am taking a small risk by not clearing the samples, but it is a risk I am willing to take for I do not have a large following or sales projections prior to the release of this album. If, in some way, my music will get a lot of attention, I hope listeners will read these credits, and you, or your representatives, will too. And I hope we can come to an agreement. Once again; I believe it's only right to give the people I sampled from a cut of the profit, if there will be any. Artwork credits go to Bente Trijsburg, for the amazing art on the cover. Thanks to all the people that are listening, and all the people that were, in any way, involved in the creation of this album. It took a while but, I am really proud to present this project to you all. So, Here It Is. - Tomaž