Be Thou Now Persuaded (Living In A Shakespearean World)
«Be Thou Now Persuaded (Living In A Shakespearean World)» — издание исполнителя Various, Shakespeare, выпущенное в 1999 году (США) на лейбле Rhino Word Beat. Жанр: Не музыка, Poetry, Education, Comedy, Monolog, Radioplay, Spoken Word. В издание вошло 276 треков. На странице собраны трек-лист, обложка и характеристики релиза. Ищете «Be Thou Now Persuaded (Living In A Shakespearean World)» Various, Shakespeare на виниле? Проверьте наличие и цену в магазине «Видика».
| Лейбл | Rhino Word Beat |
| Каталожный № | R2 75816 |
| Формат | 6×CD, Альбом, Сборник, Ремастеринг; Box Set |
| Дата выпуска | 1999 |
| Страна | США |
| Жанр | Не музыка |
| Стиль | Poetry, Education, Comedy, Monolog, Radioplay, Spoken Word |
| Штрихкод | 081227581626 |
Треклист
| Volume 1: To Be... | ||
| Greetings | ||
| Good Day, Good Day (Troilus And Cressida; Act III, Scene III) | ||
| Good Morrow To This Fair Assembly (Much Ado About Nothing; Act V, Scene IV) | ||
| Good Morrow, Ajax (Troilus And Cressida; Act III, Scene III) | ||
| Good Morrow, Sweet Hal (The First Part Of King Henry IV; Act I, Scene II) | ||
| Who's There? (Hamlet, Prince Of Denmark; Act I, Scene I) | ||
| God Save You Sir John! Welcome, Ancient Pistol (The Second Part Of King Henry IV; Act II, Scene IV) | ||
| Good Day And Happiness, Dear Rosalind (As You Like It; Act IV, Scene I) | ||
| Signior Romeo Bon Jour (Romeo And Juliet; Act II, Scene IV) | ||
| Good Morrow, Uncle Pandarus / Good Morrow, Cousin Cressida (Troilus And Cressida; Act I, Scene II) | ||
| Good Morrow, Kate (The Taming Of The Shrew; Act I, Scene II) | ||
| Good Morrow, Fair Ones (As You Like It; Act IV, Scene III) | ||
| Good Morrow, Benedick (Much Ado About Nothing; Act V, Scene IV) | ||
| Good Morrow, Cuz / Good Morrow, Sweet Hero (Much Ado About Nothing; Act III, Scene IV) | ||
| Welcome, Dear Rosencrantz And Guildenstern (Hamlet, Prince Of Denmark; Act II, Scene II) | ||
| Good Morrow, Neighbor Baptista / Good Morrow (The Taming Of The Shrew; Act II, Scene I) | ||
| How Does My Good Lord Hamlet? (Hamlet, Prince Of Denmark; Act II, Scene II) | ||
| Gentlewoman, Good Day! (The Two Gentlemen Of Verona; Act IV, Scene IV) | ||
| Good Morrow, Brutus (Julius Caesar; Act II, Scene I) | ||
| All Hail, Caesar, Good Morrow, Worthy Caesar (Julius Caesar; Act II, Scene II) | ||
| Good Morrow Antony (Julius Caesar; Act II, Scene II) | ||
| Good Morrow / Ay, And Good The Next Day Too (Troilus And Cressida; Act III, Scene III) | ||
| Our Human Actions | ||
| O For A Muse Of Fire (The Life Of King Henry V; Act I, Scene I) | ||
| O Brave New World (The Tempest; Act V, Scene I) | ||
| What A Piece Of Work Is Man (Hamlet, Prince Of Denmark; Act II, Scene II) | ||
| All The World's A Stage (As You Like It; Act II, Scene VII) | ||
| Life's But A Walking Shadow (Macbeth; Act V, Scene V) | ||
| They Kill Us For Their Sport (King Lear; Act IV, Scene I) | ||
| Man Proud Man (Measure For Measure; Act II, Scene II) | ||
| Some Vicious Mole Of Nature (Hamlet, Prince Of Denmark; Act I, Scene IV) | ||
| The Web Of Our Life (All's Well That Ends Well; Act IV, Scene III) | ||
| The Quality Of Mercy Is Not Strained (The Merchant Of Venice; Act IV, Scene I) | ||
| To Thine Own Self Be True | ||
| Our Remedies Oft In Ourselves Do Lie (All's Well That Ends Well; Act I, Scene I) | ||
| Hath Not A Jew Eyes? (The Merchant Of Venice; Act III, Scene I) | ||
| I Will A Round Unvarnish'd Tale Deliver (Othello, The Moor Of Venice; Act I, Scene III) | ||
| I Am Not What I Am (Othello, The Moor Of Venice; Act I, Scene I) | ||
| I Edgar Nothing Am (King Lear; Act II, Scene III) | ||
| Oh What A Rogue And Peasant Slave Am I (Hamlet, Prince Of Denmark; Act II, Scene II) | ||
| Herein Will I Imitate The Sun (The First Part Of King Henry IV; Act I, Scene II) | ||
| Banish Plump Jack, And Banish All The World (The First Part Of King Henry IV; Act II, Scene IV) | ||
| I Have Of Late (Hamlet, Prince Of Denmark; Act II, Scene II) | ||
| It Is A Melancholy Of Mine Own (As You Like It; Act IV, Scene I) | ||
| There Was A Star Danced (Much Ado About Nothing; Act II, Scene I) | ||
| He Is All Mirth (Much Ado About Nothing; Act III, Scene II) | ||
| I Am That Merry Wanderer Of The Night (A Midsummer-Night's Dream; Act II, Scene I) | ||
| Where The Bee Sucks, There Suck I (The Tempest; Act V, Scene I) | ||
| A Born Devil (The Tempest; Act IV, Scene I) | ||
| A Man Or A Fish? (The Tempest; Act II, Scene II) | ||
| For Her Own Person, It Beggar'd All Description (Antony And Cleopatra; Act II, Scene II) | ||
| O, How That Name Befits My Composition (The Tragedy Of King Richard II; Act II, Scene I) | ||
| Vaulting Ambition, Which O'erleaps Itself | ||
| Thou, Nature, Art My Goddess (King Lear; Act I, Scene II) | ||
| Can I Do This, And Cannot Get A Crown? (The Third Part Of King Henry VI; Act III, Scene II) | ||
| Come, You Spirits (Macbeth; Act I, Scene V) | ||
| King And Country | ||
| Once More Unto The Breach, Dear Friends (The Life Of King Henry V; Act III, Scene I) | ||
| This Other Eden (The Tragedy Of King Richard II; Act II, Scene I) | ||
| Mine Honor Is My Life (The Tragedy Of King Richard II; Act I, Scene I) | ||
| Honor Is A Mere Scutcheon (The First Part Of King Henry IV; Act V, Scene I) | ||
| I Would Give All My Fame For A Pot Of Ale And Safety (The Life Of King Henry V; Act III, Scene II) | ||
| Sweet Comedy And Mirthful Comic Shows | ||
| I Am Not Only Witty In Myself (The Second Part Of King Henry IV; Act I, Scene II) | ||
| I Am A Great Eater Of Beef (Twelfth Night; Or, What You Will; Act I, Scene III) | ||
| Here Comes Romeo (Romeo And Juliet; Act II, Scene IV) | ||
| Didst Thou Ever See Me Do Such A Trick? (The Two Gentlemen Of Verona; Act IV, Scene IV) | ||
| I Can Compare Our Rich Misers (Pericles; Act II, Scene I) | ||
| Wherefore, Sweetheart What's Your Metaphor (Twelfth Night; Or, What You Will; Act I, Scene III) | ||
| In The Secret Parts Of Fortune? (Hamlet, Prince Of Denmark; Act II, Scene II) | ||
| Motley's The Only Wear (As You Like It; Act II, Scene VII) | ||
| Wast Ever In Court, Shepherd? (As You Like It; Act III, Scene II) | ||
| This Fellow Is Wise Enough To Play The Fool (Twelfth Night; Or, What You Will; Act III, Scene I) | ||
| Sirrah, You Were Best To Take My Coxcomb (King Lear; Act I, Scene IV) | ||
| What Madness Rules In Brainsick Me | ||
| It Hath Made Me Mad (Hamlet, Prince Of Denmark; Act III, Scene I) | ||
| O What A Noble Mind Is Here Overthrown (Hamlet, Prince Of Denmark; Act III, Scene I) | ||
| Away! The Foul Fiend Follows Me! (King Lear; Act III, Scene IV) | ||
| Out, Damn'd Spot! (Macbeth; Act V, Scene I) | ||
| O Fool, I Shall Go Mad (King Lear; Act II, Scene IV) | ||
| The Lunatic, The Lover And The Poet (A Midsummer-Night's Dream; Act V, Scene I) | ||
| Volume 2: Love's Labors | ||
| Beauty's Ensign | ||
| Tell Me Where Is Fancy Bred? (The Merchant Of Venice; Act III, Scene II) | ||
| Beauty Itself Doth Of Itself Persuade (The Rape Of Lucrece; Lines 29-30) | ||
| God Bless My Ladies! Are They All In Love (Love's Labour's Lost; Act II, Scene I) | ||
| O She Doth Teach The Torches To Burn Bright (Romeo And Juliet; Act I, Scene V) | ||
| If With His Tongue, He Cannot Win A Woman (The Two Gentlemen Of Verona; Act III, Scene I) | ||
| Fair Katherine, And Most Fair (The Life Of King Henry V; Act V, Scene II) | ||
| Good Morrow, Kate (The Taming Of The Shrew; Act II, Scene I) | ||
| Was Ever Woman In This Humor Woo'd? (The Tragedy Of King Richard III; Act I, Scene II) | ||
| She Lov'd Me For The Dangers I Had Passed (Othello, The Moor Of Venice; Act I, Scene III) | ||
| The Honorable Lady Of The House, Which Is She? (Twelfth Night; Or, What You Will; Act I, Scene V) | ||
| Love Me! Why, It Must Be Requited (Much Ado About Nothing; Act II, Scene III) | ||
| Come Woo Me, Woo Me (As You Like It; Act IV, Scene I) | ||
| This Bud Of Love (Romeo And Juliet; Act II, Scene II) | ||
| The Very Flame Of Love | ||
| Love Is A Spirit All Compact Of Fire (Venus And Adonis; Lines 149-50) | ||
| Perdition Catch My Soul, But I Do Love Thee (Othello, The Moor Of Venice; Act III, Scene III) | ||
| Give Me To Drink Mandragora (Antony And Cleopatra; Act I, Scene V) | ||
| Come, Night, Come, Romeo (Romeo And Juliet; Act III, Scene II) | ||
| O Coz, Coz, Coz (As You Like It; Act IV, Scene I) | ||
| I Am Giddy (Troilus And Cressida; Act III, Scene II) | ||
| How Now, My Love! (A Midsummer-Night's Dream; Act I, Scene I) | ||
| What Angel Wakes Me From My Flowery Bed? (A Midsummer-Night's Dream; Act III, Scene I) | ||
| Do Not You Love Me? (Much Ado About Nothing; Act V, Scene IV) | ||
| How Sweet The Moonlight (The Merchant Of Venice; Act V, Scene I) | ||
| Love-Sick Love | ||
| I Am Your Spaniel (A Midsummer-Night's Dream; Act II, Scene I) | ||
| My Idolatrous Fancy Must Sanctify His Reliques (All's Well That Ends Well; Act I, Scene I) | ||
| O Phebe, Phebe, Phebe! (As You Like It; Act II, Scene IV) | ||
| If Music Be The Food Of Love, Play On (Twelfth Night; Or, What You Will; Act I, Scene I) | ||
| Like Patience On A Monument (Twelfth Night; Or, What You Will; Act II, Scene IV) | ||
| Sweet Silent Hours Of Marriage Joys | ||
| Now Fair Hippolyta, Our Nuptial Hour (A Midsummer-Night's Dream; Act I, Scene I) | ||
| This Dear Encounter (Romeo And Juliet; Act II, Scene VI) | ||
| Does Thou In Conscience Think (Othello, The Moor Of Venice; Act IV, Scene III) | ||
| I Am Not Adriana Nor Thy Wife (The Comedy Of Errors; Act II, Scene II) | ||
| Dwell I But In The Suburbs Of Your Good Pleasure? (Julius Caesar; Act II, Scene I) | ||
| In My Heart's Core | ||
| Like To A Double Cherry (A Midsummer-Night's Dream; Act III, Scene II) | ||
| Give Me That Man That Is Not Passion's Slave (Hamlet, Prince Of Denmark; Act III, Scene II) | ||
| To You, Antonio (The Merchant Of Venice; Act I, Scene I) | ||
| Between The Child And Parent | ||
| His Good Report Should Have Been My Son (Coriolanus; Act I, Scene III) | ||
| Call You Me Daughter? (The Taming Of The Shrew; Act II, Scene I) | ||
| I Am Wild In My Beholding (Pericles; Act V, Scene I) | ||
| You Gods, Look Down (The Winter's Tale; Act V, Scene III) | ||
| I Think This Lady To Be My Child Cordelia (King Lear; Act IV, Scene VII) | ||
| Drown'd With Grief | ||
| If By Your Art (The Tempest; Act I, Scene II) | ||
| I Know Not Seems (Hamlet, Prince Of Denmark; Act I, Scene II) | ||
| Grief Fills The Room Up Of My Absent Child (The Life And Death Of King John; Act III, Scene IV) | ||
| O, That This Too Too Solid Flesh (Hamlet, Prince Of Denmark; Act I, Scene II) | ||
| Ah, My Young Princes (The Tragedy Of King Richard III; Act IV, Scene IV) | ||
| Volume 3: Hot Blood | ||
| Bitter Business | ||
| I Say, We Will Have No More Marriages (Hamlet, Prince Of Denmark; Act III, Scene I) | ||
| All Is Lost; This Foul Egyptian Hath Betrayed Me (Antony And Cleopatra; Act Iv, Scene XII) | ||
| Thou Subtle, Perjur'd, False Disloyal Man! (The Two Gentlemen Of Verona; Act IV, Scene II) | ||
| The Man That Hath No Music In Himself (The Merchant Of Venice; Act V, Scene I) | ||
| Who Will Believe Thee, Isabel? (Measure For Measure; Act II, Scene IV) | ||
| To Curse Awhile | ||
| I Know How To Curse (The Tempest; Act I, Scene II) | ||
| Abhorred Slave (The Tempest; Act I, Scene II) | ||
| All The Infections That The Sun Sucks Up (The Tempest; Act II, Scene II) | ||
| I Would Thou Didst Itch From Head To Foot (Troilus And Cressida; Act II, Scene I) | ||
| How Long Is't Ago, Jack, Thou Sawest Thine Own Knee? (The First Part Of King Henry IV; Act II, Scene IV) | ||
| What, My Dear Lady Disdain! Are You Yet Living? (Much Ado About Nothing; Act I, Scene I) | ||
| Dizzy-Eyed Fury And Great Rage Of Heart | ||
| Good Sister, Wrong Me Not (The Taming Of The Shrew; Act II, Scene I) | ||
| A Lunatic Lean-Witted Fool (The Tragedy Of King Richard II; Act II, Scene I) | ||
| Stay, Dog, For Thou Shalt Hear Me (The Tragedy Of King Richard III; Act I, Scene III) | ||
| What's The Matter, You Dissentious Rogues (Coriolanus; Act I, Scene I) | ||
| Signior Antonio... You Have Rated Me (The Merchant Of Venice; Act I, Scene III) | ||
| O Goneril! You Are Not Worth The Dust (King Lear; Act IV, Scene II) | ||
| Hear, Nature, Hear Dear Goddess, Hear! (King Lear; Act I, Scene IV) | ||
| Blow Winds And Crack Your Cheeks (King Lear; Act III, Scene II) | ||
| Mad Devil Of Jealousy | ||
| I Hate The Moor (Othello, The Moor Of Venice; Act I, Scene III) | ||
| Inch-Thick, Knee-Deep (The Winter's Tale; Act I, Scene II) | ||
| I Had Been Happy (Othello, The Moor Of Venice; Act III, Scene III) | ||
| Heady Murder, Spoil And Villainy | ||
| Draw Thy Tool! (Romeo And Juliet; Act I, Scene I) | ||
| I Am Fortune's Fool (Romeo And Juliet; Act III, Scene I) | ||
| Vengeance Is In My Heart (Titus Andronicus; Act II, Scene III) | ||
| Out, Vile Jelly! (King Lear; Act III, Scene VII) | ||
| I Am Not In The Giving Vein Today (The Tragedy Of King Richard III; Act IV, Scene II) | ||
| Is Thy Name Tyrrel? (The Tragedy Of King Richard III; Act IV, Scene II) | ||
| What Would You Undertake (Hamlet, Prince Of Denmark; Act IV, Scene VII) | ||
| Great Glamis! (Macbeth; Act I, Scene V) | ||
| If It Were Done When 'Tis Done (Macbeth; act I, Scene VII) | ||
| Is This A Dagger I See Before Me (Macbeth; Act II, Scene I) | ||
| I Have Been Studying (The Tragedy Of King Richard II; Act V, Scene V) | ||
| It Is The Cause (Othello, The Moor Of Venice; Act V, Scene II) | ||
| Now Might I Do It Pat (Hamlet, Prince Of Denmark; Act III, Scene III) | ||
| Confounding Shame And Guilt | ||
| O My Offense Is Rank (Hamlet, Prince Of Denmark; Act III, Scene III) | ||
| Give Me Another Horse (The Tragedy Of King Richard III; Act V, Scene III) | ||
| Give Me Your Pardon, Sir (Hamlet, Prince Of Denmark; Act V, Scene II) | ||
| I'll Be Wise (The Tempest; Act V, Scene I) | ||
| Volume 4: Or Not To Be... | ||
| Supernatural Solicitings | ||
| Now The Hungry Lion Roars (A Midsummer-Night's Dream; Act V, Scene I) | ||
| When Shall We Three Meet Again (Macbeth; Act I, Scene I) | ||
| So Foul And Fair A Day (Macbeth; Act I, Scene III) | ||
| Double, Double Toil And Trouble (Macbeth; Act IV, Scene I) | ||
| Thou Shall See Me At Philippi (Julius Caesar; Act IV, Scene III) | ||
| O My Prophetic Soul! (Hamlet, Prince Of Denmark; Act I, Scene V) | ||
| Sweet Remembrancer (Macbeth; Act III, Scene IV) | ||
| What Dreams May Come | ||
| O Sleep, O Gentle Sleep (The Second Part Of King Henry IV; Act III, Scene I) | ||
| Sleep No More! (Macbeth; Act II, Scene II) | ||
| I Have Not Slept (Julius Caesar; Act II, Scene I) | ||
| She Dreamt To-Night (Julius Caesar; Act II, Scene II) | ||
| What Was Your Dream? (The Tragedy Of King Richard III; Act I, Scene IV) | ||
| When My Cue Comes, Call Me And I Will Answer (A Midsummer-Night's Dream; Act IV, Scene I) | ||
| O, Then, I See Queen Mab Hath Been With You (Romeo And Juliet; Act I, Scene IV) | ||
| I Fear, Too Early (Romeo And Juliet; Act I, Scene IV) | ||
| We Defy Augury (Hamlet, Prince Of Denmark; Act V, Scene II) | ||
| Of Graves, Of Worms, Of Epitaphs | ||
| I Have Lived Long Enough (Macbeth; Act V, Scene III) | ||
| We Have Heard The Chimes At Midnight (The Second Part Of King Henry IV; Act III, Scene II) | ||
| It Smells Of Mortality (King Lear; Act IV, Scene VI) | ||
| All That Lives Must Die (Hamlet, Prince Of Denmark; Act I, Scene II) | ||
| How Long Hast Thou Been A Grave-Maker? (Hamlet, Prince Of Denmark; Act V, Scene I) | ||
| Engrossing Death | ||
| Come Away, Come Away, Death (Twelfth Night; Or, What You Will; Act II, Scene IV) | ||
| Be Absolute For Death (Measure For Measure; Act III, Scene I) | ||
| If I Must Die (Measure For Measure; Act III, Scene I) | ||
| Of Comfort No Man Speak (The Tragedy Of King Richard II; Act III, Scene II) | ||
| To Be Or Not To Be (Hamlet, Prince Of Denmark; Act III, Scene I) | ||
| Strange Cases Of Death | ||
| Nothing In His Life Became Him Like The Leaving It (Macbeth; Act I, Scene IV) | ||
| Lay On Macduff (Macbeth; Act V, Scene VIII) | ||
| The Bloody Dog Is Dead (The Tragedy Of King Richard III; Act V, Scene IV) | ||
| O Harry Thou Hast Robbed Me Of My Youth (The First Part Of King Henry IV; Act V, Scene IV) | ||
| Cut Me To Pieces (Coriolanus; Act V, Scene VI) | ||
| I Kill'd Not Thee With Half So Good A Will (Julius Caesar; Act V, Scene V) | ||
| And Smote Him, Thus (Othello, The Moor Of Venice; Act V, Scene II) | ||
| Howl, Howl, Howl, Howl! (King Lear; Act V, Scene III) | ||
| The Rest Is Silence (Hamlet, Prince Of Denmark; Act V, Scene II) | ||
| I Am Dying, Egypt, Dying (Antony And Cleopatra; Act IV, Scene XV) | ||
| I Have Immortal Longings In Me (Antony And Cleopatra; Act V, Scene II) | ||
| Falstaff He Is Dead (The Life Of King Henry V; Act II, Scene III) | ||
| Ah, Dear Juliet, Why Are Thou Yet So Fair? (Romeo And Juliet; Act V, Scene III) | ||
| O Happy Dagger! This Is Thy Sheath (Romeo And Juliet; Act V, Scene III) | ||
| Fear No More The Heat O' The Sun (Cymbeline; Act IV, Scene II) | ||
| Epilogue | ||
| Our Revels Are Now Ended (The Tempest; Act IV, Scene I) | ||
| Farewells | ||
| Little Helen Farewell (All's Well That Ends Well; Act I, Scene I) | ||
| Farewell Master Farewell Farewell (The Tempest; Act II, Scene II) | ||
| And So Farewell Katharina (The Taming Of The Shrew; Act I, Scene I) | ||
| Farewell Sweet Play Fellow (A Midsummer-Night's Dream; Act I, Scene I) | ||
| Poor Jack Farewell (The First Part Of King Henry IV; Act V, Scene IV) | ||
| Farewell, Doll; Farewell, Good Wenches (The Second Part Of King Henry IV; Act II, Scene IV) | ||
| Farewell, Old Gaunt (The Tragedy Of King Richard II; Act I, Scene II) | ||
| Sweet Valentine, Adieu (The Two Gentlemen Of Verona; Act I, Scene I) | ||
| Farewell, My Desdemona (Othello, The Moor Of Venice; Act III, Scene III) | ||
| Bid Them Farewell Cordelia (King Lear; Act I, Scene I) | ||
| Farewell Kind Charmian, Iras Long Farewell (Antony And Cleopatra; Act V, Scene II) | ||
| Adieu; Farewell My Wife, My Mother (Coriolanus; Act IV, Scene I) | ||
| Farewell Ophelia (Hamlet, Prince Of Denmark; Act I, Scene III) | ||
| Sweets To The Sweet Farewell (Hamlet, Prince Of Denmark; Act V, Scene I) | ||
| Honest Nurse, Farewell (Romeo And Juliet; Act II, Scene V) | ||
| Farewell Brutus (Julius Caesar; Act V, Scene I) | ||
| Farewell Cassius (Julius Caesar; Act V, Scene) | ||
| A Thousand Times Good Night (Romeo And Juliet; Act II, Scene II) | ||
| Disc 5: Romeo And Juliet | ||
| Act I, Scene I | ||
| Act I, Scene II | ||
| Act I, Scene III | ||
| Act I, Scene IV | ||
| Act I, Scene V | ||
| Act II, Scene I | ||
| Act II, Scene II | ||
| Act II, Scene III | ||
| Act II, Scene IV | ||
| Act II, Scene V | ||
| Act II, Scene VI | ||
| Disc 6: Romeo And Juliet | ||
| Act III, Scene I | ||
| Act III, Scene II | ||
| Act III, Scene III | ||
| Act III, Scene IV | ||
| Act III, Scene V | ||
| Act IV, Scene I | ||
| Act IV, Scene II | ||
| Act IV, Scene III | ||
| Act IV, Scene IV | ||
| Act IV, Scene V | ||
| Act V, Scene I | ||
| Act V, Scene II | ||
| Act V, Scene III |
Участники
Компании
Идентификаторы и матрицы
| Barcode | 0 8122 75816 26 |
| Other | 0-7939-0029-6 |
| Matrix / Runout | [WEA Mfg. Olyphant logo] Y8411 3 R2 78516-2.1 01 M1S1 |
| Mastering SID Code | ifpi L903 |
| Mould SID Code | IFPUI 2U30 |
| Matrix / Runout | [WEA Mfg. Olyphant logo] Y8413 3 R2 75816-2.2 01 M1S1 |
| Mastering SID Code | ifpi L903 |
| Mould SID Code | IFPI 2U2L |
| Matrix / Runout | [WEA Mfg. Olyphant logo] Y8442 3 R2 75816-2.3 01 M1S1 |
| Mastering SID Code | ifpi L903 |
| Mould SID Code | IFPI 2U4K |
| Matrix / Runout | [WEA Mfg. Olyphant logo] Y8451 3 R2 75816-2.4 02 M1S1 |
| Mastering SID Code | ifpi L903 |
| Mould SID Code | IFPI 2U4G |
| Matrix / Runout | [WEA Mfg. Olyphant logo] Y8448 3 R2 75816-2.5 01 M1S1 |
| Mastering SID Code | ifpi L903 |
| Mould SID Code | IFPI 2U4G |
| Matrix / Runout | [WEA Mfg. Olyphant logo] Y8456 3 R2 75816-2.6 01 M1S1 |
| Mastering SID Code | ifpi L903 |
| Mould SID Code | IFPI 2U30 |
Примечания
Частые вопросы
В каком году вышло издание «Be Thou Now Persuaded (Living In A Shakespearean World)» Various, Shakespeare?
Это издание датируется 1999 годом.
На каком лейбле выпущен «Be Thou Now Persuaded (Living In A Shakespearean World)» на виниле?
Издание вышло на лейбле Rhino Word Beat.
В какой стране издан «Be Thou Now Persuaded (Living In A Shakespearean World)»?
Страна издания — США.
Сколько треков на пластинке «Be Thou Now Persuaded (Living In A Shakespearean World)»?
В издание вошло 276 треков.
Где купить винил «Be Thou Now Persuaded (Living In A Shakespearean World)» Various, Shakespeare?
Пластинку «Be Thou Now Persuaded (Living In A Shakespearean World)» Various, Shakespeare ищите в каталоге магазина «Видика»; если её нет в наличии, можно оформить заявку «привезём под заказ».













































































































































































































































































































































































































