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Треклист
| Four Individuals, Inventing An Anthem For The Pleasure Of The Moment | ||
| Cambodia 1941 – ’70 / 1993 | ||
| Cambodia 1970 – ’75 | ||
| Cambodia 1975 – ’76 | ||
| Cambodia 1976 – ’79 | ||
| Cambodia 1979 – ’89 | ||
| Refugia | ||
| China 1911 – ’12 | ||
| Syria | ||
| Four Individuals, Singing Their Personal Hymns Simultaneously | ||
| Afghanistan 1926 – ’43 | ||
| Afghanistan 1943 – ’73 | ||
| Afghanistan 1973 – ’78 | ||
| Afghanistan 1978 – ’92 | ||
| Afghanistan 1992 – ’99, 2002 – ’06 | ||
| Afghanistan 1999 – 2002 | ||
| Afghanistan 2006 | ||
| Niue Voices | ||
| Niue | ||
| Four Individuals, Covering Up A Hymn Like Christo Would Do |
Участники
Double Bass, Musician: Wilbert De Joode
Drums, Musician: Michael Vatcher
Musician, Reeds, Saxophone: Jan Klare
Musician, Trumpet: Bart Maris
Примечания
The quartet '1000' started recomposing classical compositions in 2004. In 2015/16 the idea of developing a new repertoire based on national anthems broached for the first time. The fact that an anthem is a point of reference for a whole nation makes an interpretation of such a melody recognizable for everybody. If you take Mauricio Kagel's composition '10 Marches to Miss the Victory' for example, you can see how populist elements can be used for very subtle manipulation. Karlheinz Stockhausen called national anthems " the most popular music you can conceive of". The fact that many anthems sound alike is primarily rooted in historical reasons, but there are also many hymns that possess a very different character.
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Данные релиза: Discogs. Раздел «Дискографии» — справочная база винила Видика.















































































































































































































































































































































































































