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Musicke Of Sundrie Kindes
| Лейбл | World Record Club |
| Каталожный № | R-03283 |
| Формат | 4×Винил, LP, Клубное издание; Box Set |
| Страна | Австралия |
| Жанр | Классика |
| Стиль | Renaissance, Барокко |
Треклист
| Ars Perfecta (An Internationally Unified Language C. 1500) | ||
| Three Generations Of Flemisch Composers, Centered Around Josquin Des Prés | ||
| Pater Noster | ||
| Ich Draghe De Mütse Clütse | ||
| La La Hö Hö | ||
| Mijn Morken Gaf | ||
| Pour Ung Jamais | ||
| Je Ne Fay | ||
| Mille Regretz | ||
| Caeciliam Cantate | ||
| The Fruits Of Love (The 'Frottola' And The Rebirth Of Music In An Italian Style) | ||
| Courts Of Lorenzo De' Medici (Florence) & Isabella D'Este (Mantua) Were Centers Of A Flowering Of Music | ||
| Tastar De Corde / Recercar | ||
| Calata | ||
| Ave Maria | ||
| Ostinato Vo' Seguire | ||
| Suite Regina | ||
| Chui Dicese E Non L'amare | ||
| Pavana Venetiana | ||
| Se Mai Per Maraveglia | ||
| Suite Ferrarese | ||
| Hor Che'l Ciel E La Terra | ||
| Palle, Palle | ||
| Ne Più Bella Di Queste | ||
| Quis Dabit Pacem | ||
| Les Cris De Paris (One Hundred Years Of French Musical Fashion) | ||
| Rapid Changes Of Taste And A Deep Concern For The Sense Of The Text Lead To A Kaleidoscopic Variety | ||
| Virgo Celesti | ||
| Belle, Tenés Moy / La Triquotée | ||
| Celle Qui M'a Demandé | ||
| La, La, La, L'Oysillon Du Bois | ||
| Las, Je M'y Plains | ||
| Content Désir | ||
| Content Désir Basse Danse | ||
| Les Cris De Paris | ||
| Hélas, Hélas, Que De Mal | ||
| Fière Cruelle | ||
| Fantasia | ||
| Mignonne Allons | ||
| Las, Je N'eusse | ||
| Prince La France Te Veut | ||
| Fa La Li Le La | ||
| The Influence Of Italian Popular Music At All Social Levels Throughout Europe In The 16th. Century | ||
| Sentomi La Formicula | ||
| Quando La Sera | ||
| Pavana De La Mortè De La Ragione | ||
| L'e Pur Morto Feragù | ||
| Saltarello De La Morte De La Ragione | ||
| La Bella Franceschina | ||
| Girometta | ||
| Pavana El Todescho | ||
| Mi Stare Pone Totesche | ||
| Matona Mia Cara | ||
| Passamezzo Commun | ||
| Recercada | ||
| Padoana Commun | ||
| Cathalina, Apra Finestra | ||
| Quodlibet | ||
| Fusion Of Flemisch, French & Italian Styles With Local Musical Traditions In The 16th. Century | ||
| Germany: | ||
| Christ Der Ist Erstanden | ||
| O Rosa Bella / Hastu Mir | ||
| Der Ratten Schwanz | ||
| Die Katzenpföte | ||
| Elslein, Liebstes Elselein | ||
| Bruder Konrad | ||
| Nach Willen Dein | ||
| Vitrum Nostrum Gloriosum | ||
| Spain: | ||
| La Spagna | ||
| Adoramos Te, Señor | ||
| Fantasia | ||
| Dulces Exuviae | ||
| E Qui La Dira | ||
| Doulce Memoire | ||
| Lindos Ojos Aveys, Señora | ||
| Per Cantare E Sonare | ||
| The Vocal Italian 'Madrigal' And Instrumental 'Canzona Francesa' Were The Largest Scale Forms Evolved | ||
| Recercare A 4 | ||
| Madonna, Qual Certezza | ||
| Ricercare A 3 | ||
| De La Belle Contrade | ||
| Canzona Francese | ||
| Occhi Lucenti | ||
| Canzona Francese | ||
| O Voi Che Sospirate | ||
| Canzona Francese | ||
| Mille Volte Il Dio Moro | ||
| Sanctus Dominus Deus | ||
| The Merry Dumps (Melancholy And Mirth In English Music From 1480-1620) | ||
| Fusion Of Paradoxes Creating A Musical Language Through Borrowing Elements From The Continent | ||
| Thatt Was My Woo | ||
| I Love, Loved | ||
| In Nomine | ||
| Blame Not My Lute | ||
| Lady WynkFyldes Rownde | ||
| Where Griping Griefs | ||
| Shooting Of The Guns Pavan | ||
| Wand'ring In This Place | ||
| Dolorosa Pavan | ||
| Now Each Flowery Bank | ||
| The Leaves Be Greene | ||
| Le Rossignol | ||
| Musick And Mirth | ||
| The Wind Of Change (The Changes Which Led European Society Into A New Age) | ||
| They Were Reflected In Musical Styles First In Italy C.1500 And Then Through The Whole Of Europe | ||
| La Brillantina | ||
| Sta Notte | ||
| Sonata | ||
| Nerinda Bella | ||
| Toccata | ||
| Lamento D'Olimpia | ||
| Thus Sang Orpheus |
Участники
Bass Viol, Lyra Viol: Jane Ryan
Bass Vocals: David Thomas
Chorus Master [Vocal Conductor]: Andrew Parrott
Countertenor Vocals: John York Skinner
Countertenor Vocals: Kevin Smith
Engineer [Sound Engineer]: Philip Wade
Ensemble: The Consort Of Musicke
Executive-Producer: Raymond Ware
Flute [Tenor Flute], Flute [Bass Flute], Recorder [Descant Recorder], Alto Recorder, Recorder [Tenor Recorder], Bagpipes, Rauschpfeife: Bernard Thomas
Harpsichord: Nicholas Kraemer
Illustration, Cover [Booklet], Cover [Box]: Lucas van Leyden
Lute [Bass Lute], Bandura: Michael Hunt
Lute [Tenor Lute], Lute [Bass Lute]: Julian Crème
Lute [Tenor Lute], Lute [Bass Lute], Lute [Great Bass Lute], Cittern, Tenor Viol, Gittern: Anthony Rooley
Producer [Record Producer]: Peter Wadland
Rebec [Treble Rebec]: Eleanor Sloan
Research [Musical], Coordinator [Program Planning], Directed By, Liner Notes: Anthony Rooley
Score Editor [Performing Edition]: Anthony Rooley
Score Editor [Performing Edition]: Julian Crème
Score Editor [Performing Edition]: Trevor Jones
Soprano Vocals: Emma Kirkby
Tenor Viol, Bass Viol, Lyra Viol, Rebec [Bass]: Ian Gammie
Tenor Viol, Bass Viol, Lyra Viol, Rebec [Tenor], Rebec [Bass], Viola: Trevor Jones
Tenor Vocals: Martyn Hill
Tenor Vocals: Paul Elliott
Treble Viol, Tenor Viol, Violin, Viola: Polly Waterfield
Violin [Treble Violin], Violin [Tenor Violin], Violin: Nicola Cleminson
Violin [Treble Violin], Violin [Tenor Violin], Violin, Rebec [Treble Rebec], Rebec [Tenor Rebec]: Catherine Mackintosh
Идентификаторы и матрицы
| Matrix / Runout | ZTT 811 |
| Matrix / Runout | ZTT 812 |
| Matrix / Runout | ZTT 813 |
| Matrix / Runout | ZTT 814 |
| Matrix / Runout | ZTT 815 |
| Matrix / Runout | ZTT 816 |
| Matrix / Runout | ZTT 817 |
| Matrix / Runout | ZTT 818 |
| Matrix / Runout | ZTT-811-3A |
| Matrix / Runout | ZTT-812-2A |
| Matrix / Runout | ZTT-813-1A |
| Matrix / Runout | ZTT-814-2A |
| Matrix / Runout | ZTT-815-1A |
| Matrix / Runout | ZTT-816-1A |
| Matrix / Runout | ZTT-817-3A |
| Matrix / Runout | ZTT-818-1A |
| Other | R-03283 |
| Other | R-03284 |
| Other | R-03285 |
| Other | R-03286 |
Примечания
The 20-page black and white booklet the size of the box contains notes and sung-texts in English, French, Italian and German.
It also has a track and credits-list, photos and a sources-list. Designed and printed by Mundoprint BV.
Box cover illustration: Detail from Lucas van Leyden - 'Music Making Couple', 1524 (Museum Boymans van Beuningen, Rotterdam)
Booklet cover illustration: Lucas van Leyden - 'Music Making Couple', 1524 (Museum Boymans van Beuningen, Rotterdam).
Issue for use with World Record Club album R.03283-4-5-6.
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Данные релиза: Discogs. Раздел «Дискографии» — справочная база винила Видика.















































































































































































































































































































































































































